A portrait by Edouard Manet featuring Victorine Meurent in a pale pink gown, accompanied by a parrot, painted in 1866.

Edouard Manet painted this work, also known as 'Woman with a Parrot', in 1866. It depicts Victorine Meurent, a frequent model for the artist, standing in a loose, pale pink dressing gown against a dark, neutral background. She holds a small bunch of violets to her nose, while a grey parrot perches on a stand to her right. A piece of orange peel lies on the floor near the base of the stand, adding a touch of domestic detail to the composition. Manet employs a restrained palette, allowing the soft, luminous quality of the pink fabric to contrast with the deep, murky tones of the background. The brushwork is confident and direct, a characteristic approach for the artist during this period. The painting reflects his interest in the traditions of Spanish masters, particularly in the handling of the dark, atmospheric space, while maintaining a modern sensibility in the subject matter. The inclusion of the parrot and the discarded fruit peel introduces a narrative element that remains open to interpretation, avoiding a singular, didactic meaning. This portrait demonstrates Manet's ability to balance formal composition with a sense of immediacy. The figure occupies the space with a quiet presence, her gaze directed towards the viewer. The painting was exhibited at the Salon of 1868, where it received mixed reactions from critics of the time. Today, it is recognised for its technical execution and its role in the development of modern painting techniques in nineteenth-century France. The work remains a fine example of Manet's portraiture, capturing a moment of stillness with clarity and precision.