Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
A biting 1903 satirical lithograph by Félix Vallotton, depicting a stern domestic scene with the artist's signature high-contrast graphic style.
This lithograph by Félix Vallotton appeared in the satirical weekly magazine L'Assiette au Beurre in 1903. The work captures a domestic scene of corporal punishment, where a stern figure administers a beating to a child who has failed to memorise their religious lessons. The title, translated as 'You will end up knowing your catechism', provides a biting commentary on the rigid educational and religious structures of the period. Vallotton employs a stark, graphic approach characteristic of his work for the Nabis group and his later printmaking. The composition relies on high-contrast areas of solid black against a neutral, paper-toned background. This reduction of form creates a sense of immediate, almost brutal clarity. The figures are simplified into bold silhouettes, removing unnecessary detail to focus the viewer on the physical action and the power imbalance between the adult and the child. The floorboards and the discarded book provide the only context for the setting, keeping the focus entirely on the interaction. As a contributor to the radical press in Paris, Vallotton used his technical skill to critique social norms. His prints from this era often feature this same economy of line, which allows for a directness that is both humorous and unsettling. The artist avoids sentimentalising the scene, choosing instead to present the harsh reality of the situation with a detached, observational eye. This print is a clear example of his ability to distill complex social critique into a single, punchy visual statement. The work remains a compelling piece of early twentieth-century graphic art, demonstrating the power of the woodcut and lithographic aesthetic to convey narrative tension through minimal means.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Our Features
Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Félix Vallotton
You May Also Like