A striking woodcut vignette by Gerrit Willem Dijsselhof, featuring a bird of prey and a stylised sun, created for the Bureau voor Handelsinlichtingen.

This woodcut by Gerrit Willem Dijsselhof, a prominent figure in the Dutch Nieuwe Kunst movement, functions as a commercial vignette for the 'Bureau voor Handelsinlichtingen'. The composition is circular, constrained by a bold border containing the organisation's name in clear, sans-serif lettering. At the centre, a bird of prey stands upon a brick structure, its gaze directed towards a stylised sun. The sun emits sharp, radiating beams that fill the upper right quadrant of the circle. The bird itself is rendered with a geometric pattern on its wings, a hallmark of Dijsselhof's decorative approach to natural forms. The inclusion of the text 'ICK WAEC' (I watch) adds a layer of symbolic intent, aligning the watchful nature of the bird with the function of a trade information bureau. The work demonstrates the influence of Japanese woodblock prints on Dutch design at the turn of the twentieth century, particularly in the economy of line and the flat application of ink. Dijsselhof, who was also a skilled painter and decorative artist, often applied this graphic clarity to his book illustrations and commercial commissions. The contrast between the dark, solid forms of the bird and the linear, rhythmic quality of the sunbeams creates a balanced visual tension. This print is a fine example of the period's interest in integrating typography with symbolic imagery, reflecting the broader European movement towards total design in the decorative arts. The aged paper tone provides a warm backdrop for the stark black ink, preserving the character of the original woodblock impression.