A pair of archival photographic prints from the personal album of Théodore van Lelyveld, featuring a quiet stream-side scene and a steamship.

This archival document presents two distinct photographic studies captured by the Dutch artist and ethnographer Théodore van Lelyveld. The upper image depicts a quiet, natural scene where a figure kneels by a stream, their hand submerged in the water. The composition focuses on the interplay between the rugged rock formation and the reflective surface of the water, suggesting a moment of personal reflection or observation during the artist's travels. The lower image shifts to a maritime subject, showing a steamship anchored in calm waters. The vessel is rendered with clarity, capturing the industrial form of the ship against the horizon.

These photographs originate from a personal album, providing a glimpse into the private documentation habits of an artist known for his extensive work on Javanese culture and batik. The images are mounted on grid-lined paper, a common practice for mid-century scrapbooking and archival organisation. The handwritten annotation, 'Ik wasch mijn hand' (I wash my hand), adds a layer of intimacy to the upper photograph, grounding the scene in a specific, mundane action. The sepia-toned quality of the prints is characteristic of the photographic materials available during the early twentieth century. These works offer a rare look at the artist's personal life, distinct from his formal ethnographic publications. The juxtaposition of the serene, natural environment with the mechanical presence of the steamship reflects the varied interests of a traveller documenting his surroundings. As a museum-grade fine art print, this piece preserves the historical texture of the original album page, including the grid lines and the handwritten script, maintaining the integrity of the primary source material for collectors interested in the intersection of personal narrative and early twentieth-century photography.