Two Seated Women - Edward Penfield
Archival giclée
Ready to hang
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Made to order
Description
A stylish lithograph by Edward Penfield, 'Two Seated Women' showcases the artist's mastery of Art Nouveau poster design. This vintage print adds a touch of graphic elegance to any room.
This striking lithograph by Edward Penfield, dating from 1896, exemplifies the bold simplicity and graphic clarity of late 19th-century American poster art. Penfield, a leading figure in the American Art Nouveau movement, served as the art director for Harper's Weekly and Harper's Bazaar, where his innovative poster designs gained widespread acclaim. This particular image, likely a promotional piece for a literary magazine, features two seated women rendered in a flat, decorative style. One woman, casually posed in a black swimsuit, is juxtaposed with another in a more formal white shirt, green skirt, and black hat. The composition is anchored by the text block advertising a new story by Mark Twain, adding a literary dimension to the visual narrative. Penfield's masterful use of line, colour, and simplified forms creates a visually arresting image that captures the spirit of the era. As a fine art print, this work brings a touch of vintage elegance and graphic sophistication to any interior. Its clean lines and muted colour palette make it a versatile addition to both modern and traditional settings, offering a glimpse into the golden age of American illustration.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Two Seated Women - Edward Penfield
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Edward Penfield
Penfield embraced simplicity and strong, flat colours, drawing inspiration from Japanese prints and the Arts and Crafts movement. Eschewing excessive detail, he focused on conveying the essence of a scene or product with minimal lines and bold compositions. His posters, often promoting *Harper's* magazine, exude a sophisticated charm and a distinctly American sensibility. Penfield's innovative approach to composition and colour made his work instantly recognisable and highly influential.
Today, Edward Penfield's posters are celebrated for their timeless appeal and graphic ingenuity. His ability to distill complex ideas into visually arresting images continues to inspire designers and artists. Collectors are drawn to Penfield's work not only for its aesthetic beauty but also for its historical significance as a window into a bygone era of American optimism and artistic innovation. His prints add a touch of vintage elegance and graphic punch to any modern space.
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