A study by Jan Lievens featuring a trumpeter on horseback, rendered in pen and grey wash on paper.

This study by Jan Lievens, a contemporary and associate of Rembrandt in Leiden, demonstrates the artist's command of ink and wash techniques. The work depicts a trumpeter mounted on horseback, captured with a sense of immediacy typical of seventeenth-century Dutch draftsmanship. Lievens employs a combination of fluid pen lines to define the contours of the horse and rider, while grey washes provide volume and suggest the play of light across the forms.

The composition focuses on the rear and midsection of the horse, allowing the viewer to observe the artist's method of building shadow through cross-hatching and layered washes. The paper tone itself acts as a mid-tone, which Lievens uses to balance the darker ink applications. This approach to drawing was common among artists of the period who sought to record movement and character with economy. The trumpeter is rendered with attention to the folds of his attire, suggesting the weight and texture of the fabric.

Lievens was known for his early success and his ability to adapt various stylistic influences, including the dramatic lighting associated with the Caravaggisti. In this drawing, the focus remains on the structural integrity of the subject. The lack of a fully realised background keeps the viewer's attention on the interaction between the rider and the animal. This piece offers a glimpse into the working process of a Dutch master, showing how preparatory sketches were used to explore form before being incorporated into larger compositions or paintings. The work remains a fine example of the technical proficiency found in the drawings of the Dutch Golden Age, where the economy of line and the strategic use of wash created a convincing sense of presence.