Carlo Crivelli's *Triptych of Camerino*, c. 1490, is a tempera on panel work divided into three arched panels. The central panel depicts the Virgin Mary holding the Christ Child, with saints on either side.

Carlo Crivelli's *Triptych of Camerino*, created around 1490, exemplifies the artist's distinctive style within the Early Renaissance. Crivelli, an Italian painter known for his decorative and often emotionally charged works, painted this triptych in tempera on panel. The work is divided into three arched panels, a common format for altarpieces and devotional art of the period. The central panel depicts the Virgin Mary holding the Christ Child, seated on an elevated throne. The flanking panels feature saints, each identifiable by their traditional attributes. On the left, a bishop saint holds keys, while on the right, a saint carries a model of a city. The painting is characterised by its meticulous detail and ornamental richness. Crivelli's use of gold leaf, especially in the backgrounds and draperies, creates a sense of opulence. The figures are rendered with a high degree of realism, their faces expressive and individualised. The composition is carefully balanced, with the central panel serving as the focal point. The triptych's architectural framework, with its arches and pilasters, further enhances the sense of depth and structure. The *Triptych of Camerino* is a fine example of Crivelli's ability to combine religious subject matter with decorative elements, creating a visually stunning and spiritually moving work of art.