A 1983 print by Richard Hamilton that deconstructs a floral still life through the layering of primary colour channels.

Richard Hamilton, a central figure in the development of British Pop Art, produced Trichromatic Flower Piece in 1983. This work demonstrates his fascination with the mechanics of image reproduction and the separation of colour channels. By isolating the primary colours, Hamilton deconstructs the traditional still life genre, shifting the focus from the subject matter to the technical process of printing itself. The composition features a bouquet of flowers rendered through layered, semi-transparent applications of colour. The visual effect relies on the misalignment and overlapping of red, yellow, and blue plates, a technique that mimics the CMYK printing process used in commercial media. Rather than aiming for a seamless, realistic depiction, Hamilton allows the viewer to see the constituent parts of the image. The background remains largely undefined, with gestural marks that suggest movement and light, contrasting with the more structured, albeit fragmented, floral forms. This print reflects Hamilton's broader interest in the intersection of fine art and mass-produced imagery. Throughout his career, he examined how technology mediates our perception of the world. In this piece, the floral subject serves as a vehicle for exploring the limitations and possibilities of the printing medium. The resulting image possesses a kinetic quality, as the eye attempts to resolve the disparate colour layers into a coherent whole. It is a work that invites close inspection of its construction, revealing the deliberate choices made by the artist to challenge conventional modes of representation. The use of white space around the central arrangement provides a clean, modern aesthetic, allowing the experimental colour application to remain the primary focus of the viewer's attention.