A classic Fauvist study by André Derain, capturing the Seine through a rhythmic arrangement of trees and bold, expressive brushwork.

André Derain painted this work during his period of association with the Fauvist movement. The composition focuses on the verticality of tree trunks that frame a view of the river Seine. Derain employs a palette dominated by deep greens, blues, and ochre tones, moving away from the purely descriptive colour of his predecessors. The brushwork is deliberate and rhythmic, creating a sense of movement within the foliage. This piece reflects the artist's interest in the structural possibilities of paint. Rather than attempting to replicate the natural appearance of the riverbank, Derain constructs the scene through blocks of colour and bold outlines. The trees act as a screen, pushing the background architecture into a secondary position. This approach demonstrates the shift in early twentieth-century French painting towards abstraction and the autonomy of the picture plane. The application of paint is direct, with visible strokes that define the form of the branches and the reflection of light on the water. By simplifying the visual information, Derain directs the viewer to the interplay of light and shadow across the canvas. The work remains a clear example of the experimental nature of the Fauve circle, where the traditional rules of perspective and naturalistic colour were set aside in favour of a more expressive, subjective interpretation of the environment. The resulting image is one of balance, where the density of the foreground trees contrasts with the lighter, more fluid treatment of the water and distant buildings.