A 1923 Bauhaus exhibition poster by Oskar Schlemmer, featuring geometric figures and bold typography for his experimental Triadic Ballet.

This lithographic poster, designed by Oskar Schlemmer in 1923, announces the performance of his experimental work, The Triadic Ballet. As a master at the Bauhaus, Schlemmer sought to reconcile the human figure with the geometric rigour of modern architecture. The design reflects this objective through its use of simplified, spherical, and conical forms that represent the costumed dancers of the production. The composition is dominated by bold, sans-serif typography that integrates with the abstract figures. Schlemmer reduces the human form to its essential components, treating the body as a mechanical entity within a defined space. The yellow background provides a stark contrast to the black ink, creating a visual clarity typical of Bauhaus graphic design. The poster serves as a document of the interdisciplinary approach favoured by the school, where dance, costume design, and typography converged to create a unified aesthetic experience. Schlemmer's work on this ballet spanned several years, beginning in 1912 and culminating in the 1922 premiere in Stuttgart. The production was divided into three parts, which explains the title and the emphasis on the number three throughout the visual elements. The figures depicted are not merely performers but are extensions of the stage environment, demonstrating Schlemmer's interest in the relationship between the individual and the architectural volume. This print captures the essence of the Weimar-era avant-garde, where the pursuit of functionalism and geometric purity defined the artistic output of the period. It remains a primary example of how the Bauhaus aesthetic extended beyond architecture and furniture into the realms of performance and promotional media.