Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
The Three Graces - Francesco Hayez
Regular price
£37.00 GBP
Sale price
£37.00 GBP
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A refined Neoclassical fresco detail by Francesco Hayez, depicting the Three Graces surrounded by delicate, symmetrical scrollwork.
This detail captures a portion of a larger decorative scheme executed by Francesco Hayez. The composition features the Three Graces, a subject drawn from classical mythology, depicted with the anatomical precision and balanced proportions characteristic of the Neoclassical period. Hayez, a central figure in Italian Romanticism, demonstrates here his early training in the formal rigour of the Academy. The figures are arranged in a rhythmic, interlocking pose, their bodies draped in soft, flowing garments that reveal the influence of antique sculpture. The central figure anchors the group, while the flanking figures provide a sense of movement through their varied gestures and the billowing fabric of their robes. The background is treated as a flat, decorative surface, adorned with delicate, symmetrical scrollwork and botanical motifs that frame the central trio. The colour palette is restrained, relying on soft ochres, muted blues, and pale pinks to maintain a sense of harmony. The application of paint suggests the rapid, confident hand required for fresco work, where the artist must complete sections before the plaster dries. This work reflects the broader European interest in the revival of classical themes during the early nineteenth century, where artists sought to emulate the clarity and grace of antiquity. The decorative elements surrounding the figures serve to integrate the mythological scene into the architectural space, creating a unified aesthetic experience. Hayez balances the human form with ornamental detail, ensuring that the figures remain the primary focus while the surrounding motifs provide a sense of balance and order. This print offers a clear view of the brushwork and the subtle tonal transitions that define the artist's approach to light and shadow in his mural commissions.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
The Three Graces - Francesco Hayez
Regular price
From £30.00 GBP
Sale price
From £30.00 GBP
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Premium Box Frame
From £95
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
Canvas
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
Framed Canvas
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Francesco Hayez
The Kiss is a political painting disguised as a love scene. Hayez painted it in 1859, the year Piedmont and France allied against Austria, and the couple's medieval costumes encode a message about Italian unification that his audience understood immediately. He painted three versions. In the 1920s, Perugina, the chocolate manufacturer, adapted the image for the box of its "Baci" chocolates, where it remains today.
Hayez was born in Venice in 1791, the youngest of five sons. His father was a fisherman of French origin; his mother came from Murano. The family was poor enough that the boy was placed with an uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer. Instead, Hayez won a scholarship to the Accademia di San Luca in Rome in 1809, where he spent long hours studying Raphael in the Vatican Stanze and visiting the workshop of the sculptor Antonio Canova.
He settled in Milan in 1820 and became the leading figure of Italian Romanticism. His large historical paintings, depicting subjects from medieval Italian history, functioned as allegorical commentary on the Risorgimento, the movement for Italian unification. The use of historical costume allowed him to evade Austrian censorship while communicating patriotic ideas that his Milanese audience decoded without difficulty.
In 1850 he became director of the Brera Academy, a position he held for decades. He rarely signed or dated his works, and often painted the same composition multiple times with minimal variation, which has complicated scholarly assessment. He died in Milan in 1882, at ninety, having witnessed the unification he had painted.
Hayez was born in Venice in 1791, the youngest of five sons. His father was a fisherman of French origin; his mother came from Murano. The family was poor enough that the boy was placed with an uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer. Instead, Hayez won a scholarship to the Accademia di San Luca in Rome in 1809, where he spent long hours studying Raphael in the Vatican Stanze and visiting the workshop of the sculptor Antonio Canova.
He settled in Milan in 1820 and became the leading figure of Italian Romanticism. His large historical paintings, depicting subjects from medieval Italian history, functioned as allegorical commentary on the Risorgimento, the movement for Italian unification. The use of historical costume allowed him to evade Austrian censorship while communicating patriotic ideas that his Milanese audience decoded without difficulty.
In 1850 he became director of the Brera Academy, a position he held for decades. He rarely signed or dated his works, and often painted the same composition multiple times with minimal variation, which has complicated scholarly assessment. He died in Milan in 1882, at ninety, having witnessed the unification he had painted.
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