A 1921 etching by Pablo Ruiz Picasso, depicting three women at a fountain in a style influenced by classical antiquity and monumental sculpture.

This etching by Pablo Ruiz Picasso, titled The Source (Three Women at the Fountain), dates to 1921. It belongs to a period in the artist's career often described as his Neoclassical phase. During these years, Picasso moved away from the fragmented forms of Cubism, choosing instead to engage with the monumental and sculptural qualities of classical antiquity. The composition features three female figures gathered around a fountain, a subject that echoes the serene, timeless quality of Mediterranean mythology.

Picasso employs a series of rhythmic, hatched lines to define the forms of the women and the vessels they hold. The technique creates a sense of volume and weight, despite the economy of the mark-making. The figures possess a heavy, statuesque presence, their drapery rendered with fluid lines that suggest the influence of Greek sculpture. The background is kept minimal, allowing the focus to remain entirely on the interaction between the figures and their shared task. This work demonstrates the artist's ability to synthesise historical artistic traditions with his own distinct graphic language.

The print reflects a broader interest among artists of the early twentieth century in returning to order and classical structure following the upheaval of the First World War. By stripping away unnecessary detail, Picasso directs the viewer to the essential geometry of the human form. The etching process itself provides a crispness to the lines, ensuring that the interplay of light and shadow remains clear and deliberate. This piece offers a glimpse into the versatility of Picasso, showing his capacity to work within established aesthetic frameworks while maintaining his own recognisable hand.