A modernist portrait by Grace Cossington Smith, featuring a woman knitting, rendered with expressive, rhythmic brushwork and a distinctive colour palette.

Grace Cossington Smith, a pioneer of Australian Modernism, produced this work during the early stages of her career. The painting depicts a woman engaged in the domestic task of knitting, a subject that reflects the social conditions of the period. The artist employs a post-impressionist approach, using thick, rhythmic brushstrokes to construct the form of the sitter and the surrounding space. The composition is notable for its flattened perspective and the application of colour. Rather than relying on traditional modelling, Cossington Smith uses broken colour to define the light and shadow across the subject's face and clothing. The palette consists of deep purples, earthy browns, and a pale, patterned background that suggests an interior setting. The focus remains on the tactile quality of the paint and the concentration of the figure, who is captured in a moment of quiet absorption. Cossington Smith was among the first artists in Australia to experiment with the colour theories and structural techniques associated with European Post-Impressionism. Her work often explored the domestic sphere, transforming everyday scenes into studies of light and form. This piece demonstrates her early interest in the expressive potential of paint, where the physical application of the medium is as important as the subject itself. The work remains a clear example of her transition toward a modern visual language, moving away from academic realism to embrace a more subjective interpretation of her environment.