A 1905 oil painting by Frederic Remington depicting indigenous figures communicating via a smoke signal on a sun-drenched Western ridge.

Frederic Remington, a prolific chronicler of the American West, produced The Smoke Signal in 1905. This work captures a moment of communication between indigenous figures on a high, arid ridge. Two men kneel to manipulate a small fire, directing a plume of smoke into the clear sky, while a third figure sits atop a white horse, observing the horizon. A buffalo skull lies in the foreground, a common motif in Remington's depictions of the plains.

Remington's approach to this subject reflects his transition from an illustrator for popular magazines to a painter focused on the atmospheric qualities of the Western environment. The composition is open, allowing the vast, pale blue sky to dominate the upper portion of the canvas. The figures are rendered with anatomical precision, and the light suggests the harsh, direct sun of the high desert. The palette is dominated by ochre, tan, and light blue, creating a sense of heat and expansive space.

Unlike his earlier, more action-oriented scenes, this painting focuses on a quiet, tactical interaction. The figures are positioned to draw the viewer's eye across the slope, from the fire in the lower centre to the mounted rider on the right. The inclusion of rifles resting on the ground and the handprint marking on the horse's flank provide specific narrative details that ground the scene in a particular cultural and historical context. Remington's brushwork is controlled, favouring clear forms over painterly abstraction. This work remains a representative example of his later period, where he moved away from the frenetic energy of his earlier illustrations toward a more contemplative observation of the American frontier.