A 1889 watercolour by Anders Zorn depicting Marie and Elin Schwartz in an artist's studio. The work features a warm red palette and fluid brushwork.

Anders Zorn painted this watercolour in 1889. It depicts the sisters Marie and Elin Schwartz in an artist's studio. The composition is dominated by a warm palette of reds and oranges. Zorn used broad, fluid brushstrokes to define the figures and their surroundings. The two women sit behind easels, suggesting they are engaged in painting or drawing. In the foreground, a white plaster cast of a head provides a cool contrast to the warm tones of the room. Light enters from a window in the upper right corner, casting a bright glow on the subjects and the studio floor. Zorn was a master of the watercolour medium. He often worked with a limited palette, sometimes referred to as the Zorn palette. This typically included yellow ochre, vermilion, ivory black, and lead white. In this work, he demonstrates his ability to create a sense of light and space through tonal variation. The figures of the sisters are rendered with soft edges, blending into the background. This technique creates a sense of movement and atmosphere within the interior space. The red pigment is applied in varying densities, from thin washes to more opaque layers. The painting reflects Zorn's interest in the daily lives of his contemporaries. By placing the sisters in a studio setting, he acknowledges their participation in artistic pursuits. The presence of the plaster cast and easels situates the scene within a formal art education or professional practice context. Zorn's handling of the medium allows for both precision in the facial features and abstraction in the surrounding environment. This work was created during a period when Zorn was gaining international recognition for his skill in both oil and watercolour. The artist captures a quiet moment of concentration, using the predominant warmth to unify the diverse elements of the studio.