The Shepherdess - Roger de La Fresnaye
Archival giclée
Ready to hang
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Made to order
Description
In 'The Shepherdess', Roger de La Fresnaye combines Cubist elements with a traditional pastoral theme. A young woman tends her flock in a serene, stylised countryside, accompanied by a playful dog.
Roger de La Fresnaye's 'The Shepherdess' presents a pastoral scene rendered with a modern sensibility. The painting depicts a young woman, presumably a shepherdess, in a blue dress and straw hat, tending to her flock. A playful dog accompanies her, adding a touch of domesticity to the rural setting. The sheep are rendered with simplified forms, their white fleece contrasting against the green field. The background features rolling hills and stylised clouds, painted in soft, muted tones. The composition is carefully balanced, with the figures arranged in a dynamic yet harmonious manner. La Fresnaye, a French Cubist painter, blends elements of Cubism with a more traditional figurative style. The influence of Paul Cézanne is apparent in the geometric simplification of forms and the emphasis on structure. The colour palette is restrained, with blues, greens, and browns dominating the scene, creating a serene and contemplative mood. The brushwork is visible, adding texture and depth to the painting. 'The Shepherdess' is a fine example of La Fresnaye's ability to merge modern artistic principles with classical subject matter.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Shepherdess - Roger de La Fresnaye
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Roger de La Fresnaye
He was born in Le Mans in 1885 into an aristocratic family with an ancestral chateau in Falaise. He studied at the Academie Julian, the Ecole des Beaux-Arts and the Ranson Academy under Maurice Denis, moving from Symbolism to Cubism around 1910. He joined the Section d'Or group in 1912, exhibiting alongside Duchamp, Gleizes and Metzinger at Jacques Villon's studio.
His Cubism was always temperate. He never fully embraced the radical fragmentation of Braque and Picasso, retaining naturalistic colour and recognisable forms that helped popularise the movement without terrifying bourgeois audiences. The restraint was both a strength and a limitation: it made his work accessible, but it meant that the avant-garde moved past him before the war intervened. His colour remained lyrical and warm where analytical Cubism was grey and cerebral. He came from aristocratic stock, painted with aristocratic moderation, and died too young to see whether the moderation would have held.
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