A woodblock print by Katsushika Hokusai depicting a rush gatherer crossing a bridge, from the series A True Mirror of Chinese and Japanese Poetry.

This woodblock print by Katsushika Hokusai belongs to the series A True Mirror of Chinese and Japanese Poetry (Shika Shashin Kagami). The composition depicts a solitary figure crossing a small wooden bridge, carrying bundles of rushes suspended from a pole across his shoulders. The scene is set against a quiet, atmospheric backdrop featuring a pale moon, distant trees, and a body of water. Two ducks glide across the water, adding a sense of movement to the otherwise still environment. Hokusai employs a refined colour palette, dominated by shades of blue, soft earth tones, and muted greens. The print demonstrates his mastery of line and form, particularly in the depiction of the rushing water beneath the bridge and the textured bundles of rushes. The vertical format, known as chuban, allows for a balanced arrangement of the foreground figure and the expansive background. The artist uses the bridge as a compositional device to lead the viewer's eye across the frame, connecting the human element with the natural surroundings. As a late-career work, this print reflects Hokusai's interest in combining classical poetic themes with everyday life. The series aimed to illustrate verses from famous anthologies, yet Hokusai often focused on the quiet, observational aspects of the subjects rather than literal interpretations of the text. The print captures a moment of daily labour, rendered with a sense of calm and precision. The technical execution, from the subtle gradations in the sky to the crisp outlines of the bridge, is characteristic of the high standards maintained by the publisher and carvers of the period. This work offers a glimpse into the aesthetic sensibilities of the Edo period, where the observation of nature and human activity remained central to the artistic output of the Ukiyo-e school.