A detailed study in grey wash by Moses ter Borch, depicting a scene from the parable of the Prodigal Son set within a Dutch farmyard.

This drawing by Moses ter Borch depicts a scene from the biblical parable of the Prodigal Son. The artist focuses on the period of the son's destitution, where he is reduced to tending livestock. The composition is structured around a farmyard setting, featuring a prominent turkey and a rooster in the foreground. To the left, a basket and a bowl suggest the humble conditions of the swineherd. In the background, a figure is visible, likely representing the protagonist engaged in his menial labour.

Moses ter Borch, a member of the notable Ter Borch family of painters, produced this work during the Dutch Golden Age. His technique utilises grey wash to create tonal depth, defining the forms of the birds and the surrounding objects through light and shadow. The drawing demonstrates the artist's ability to capture everyday subjects with precision, a common practice among Dutch artists of the seventeenth century who often looked to domestic and rural life for their subject matter.

The work is characterised by its focus on texture and form. The feathers of the birds are rendered with careful attention to detail, while the wash provides a sense of volume to the basket and the ground. The scene is contained within a drawn border, a common convention for sketches of this period. This piece offers a glimpse into the artistic output of a young talent whose career was cut short by his early death. It remains a representative example of the genre studies produced by the Ter Borch circle, reflecting the period's interest in moralising narratives set within realistic, everyday environments.