The Martyrdom of Saint Gennaro - Mattia Preti
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Description
Mattia Preti's 'The Martyrdom of Saint Gennaro' is a Baroque painting depicting the execution of the saint. The work features dramatic use of light and shadow, with a focus on the emotional intensity of the scene.
Mattia Preti's depiction of 'The Martyrdom of Saint Gennaro' captures a dramatic scene with a theatrical Baroque sensibility. Preti, an Italian Baroque artist, is known for his dynamic compositions and use of chiaroscuro, a technique evident in this painting. The work portrays the execution of Saint Gennaro, the patron saint of Naples, surrounded by onlookers exhibiting a range of emotions, from horror to morbid curiosity. The composition is arranged with a focus on the saint, who is kneeling before his executioner. The figures are tightly packed, creating a sense of claustrophobia and tension. Preti's handling of light and shadow adds to the drama, with strong contrasts that emphasise the emotional intensity of the moment. The colour palette is dominated by dark, earthy tones, punctuated by flashes of brighter colours in the clothing and accessories of the figures. The architecture in the background suggests a classical setting, further grounding the scene in a historical context. Preti's skill in rendering human anatomy and expression is apparent in the detailed faces and gestures of the figures. The painting is a powerful example of Baroque art's ability to evoke strong emotional responses in the viewer.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Martyrdom of Saint Gennaro - Mattia Preti
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Mattia Preti
He was born in Taverna, Calabria, in 1613 and moved to Rome in 1630 to join his elder brother Gregorio, already a painter there. His style combined Caravaggio's drama with the colour of Guido Reni and the theatricality of Rubens. In 1661 he moved to Malta, where he spent his most productive decades painting the vast ceiling cycle of the life of Saint John the Baptist in Valletta's Co-Cathedral (1661 to 1666). The scale of the Maltese work, covering the entire barrel vault, is among the largest fresco programmes of the seventeenth century. He is buried in the Co-Cathedral alongside fellow Knights.
His colour sensibility, drawn from Reni and filtered through Roman experience, gives even his most dramatically lit compositions a warmth that separates him from the colder tenebrism of other Caravaggisti. He died in 1699, at eighty-six, having worked across Italy and Malta for nearly seven decades.
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