A 1998 portrait by Richard Hamilton, exploring cultural identity and ritual through the lens of formal wedding photography.

Richard Hamilton, a central figure in the development of British Pop Art, produced The Marriage in 1998. This work demonstrates his interest in the intersection of photography, mass media, and cultural identity. The image depicts a Japanese couple in traditional wedding attire, captured with a formal, studio-like quality that mimics the conventions of commercial portraiture. Hamilton often utilised existing photographic sources, manipulating them to examine how images construct meaning within society. The composition is stark and deliberate. The groom stands in a dark suit, while the bride is seated, wearing a highly decorative kimono. The contrast between the groom's Western-style formal wear and the bride's traditional Japanese dress creates a visual tension. Hamilton employs a subtle colour palette, allowing the soft tones of the kimono to emerge against the neutral grey background. The work reflects his broader practice of recontextualising found imagery, inviting the viewer to consider the performative nature of such significant life events. As a print, this piece retains the clarity of the original photographic source while benefiting from the precision of the iris printing process. Hamilton's approach to this subject avoids sentimentality, opting instead for a detached, analytical observation of the scene. The work functions as a study of cultural synthesis and the formal rituals that define human relationships. By presenting this moment with such clinical focus, Hamilton encourages an examination of the visual language used to document personal history. The print is a representative example of his later career, where he continued to refine his technical mastery of digital and photographic media to explore themes of representation and social convention.