A 1533 oil painting by Lorenzo Lotto, featuring the Virgin and Child with saints in a structured, multi-register composition.

Lorenzo Lotto painted The Madonna of the Roses in 1533 for the church of San Bernardino in Bergamo. This work displays the characteristic psychological depth and chromatic sensitivity associated with the Venetian school, yet it retains a distinct individuality that separates Lotto from his contemporaries. The composition is divided into two distinct registers, a common feature in altarpieces of the period.

The lower section depicts the Virgin Mary seated upon a stone pedestal, holding the Christ Child. She is flanked by Saint Joseph on the left and Saint Jerome on the right. The figures are arranged in a triangular formation, a technique used to create stability and focus. The drapery, particularly the deep blue of the Virgin's mantle and the saturated red of Saint Jerome's robes, demonstrates the artist's mastery of oil glazes. The inclusion of a rose bush to the left provides the work with its title, a symbolic reference to the Virgin's purity and the suffering of Christ.

The upper lunette features a separate scene showing Saint Francis in prayer, his hands raised towards a celestial light, and Saint Clare holding a monstrance. This addition provides a narrative expansion, connecting the earthly figures below with the spiritual devotion of the Franciscan order. Lotto employs a varied palette, moving from the cool, shadowed tones of the architectural background to the warm, luminous highlights on the skin of the figures. The spatial arrangement is carefully constructed, with the stone base acting as a physical anchor for the central group. The painting remains a primary example of Lotto's ability to balance traditional iconographic requirements with a personal, expressive approach to form and light.