A 1890 oil painting by Swedish artist Anders Zorn depicting women working in a Stockholm brewery. The scene uses a muted palette and loose brushwork to capture light in an industrial interior.

Anders Zorn painted The Little Brewery in 1890. It depicts the interior of the Hamburg brewery in Stockholm. Women are shown engaged in the manual labour of bottling and corking beer. This work belongs to a period when Zorn moved away from his earlier watercolour success to master oil painting. He focused on capturing the effects of light in dark industrial interiors. The composition uses a limited palette of ochres, greys, and muted greens. Zorn employs broad brushstrokes to suggest form and movement. In the foreground, a woman sits on a barrel. Her figure is illuminated by a light source from an open doorway in the background. The floor is wet. It reflects the dim light and the shapes of the workers. To the right, crates of glass bottles are visible. These are rendered with quick, economical marks. The perspective leads the eye from the foreground figures toward the workers deeper in the room. Zorn is known for using a restricted palette of lead white, yellow ochre, vermilion, and ivory black. This limited range is evident in the earthy tones of this scene. The painting captures a specific moment of labour. It records the physical environment of the late nineteenth-century Swedish working class. The figures are integrated into the space through the shared tonal values of their clothing and the brewery walls. The artist avoids sentimentalising the subject. He treats the brewery workers with the same technical focus he applied to his high-society portraits. The play of light on the damp floor and the glass surfaces provides the primary visual interest. This approach aligns with the naturalist movement of the late 1800s. It prioritises direct observation of everyday life.