A hand-coloured engraving by Johann Sadeler I depicting the domestic life of Adam and Eve after their expulsion from Eden.

This hand-coloured engraving by Johann Sadeler I depicts the post-lapsarian life of Adam and Eve. Following their expulsion from the Garden of Eden, the figures are shown in a rugged, pastoral setting, reflecting the biblical transition from divine grace to earthly toil. Adam is portrayed with a primitive tool, suggesting the necessity of labour, while Eve nurses an infant, surrounded by their children in a domestic scene that contrasts with the traditional depiction of paradise.

Sadeler, a member of a prolific family of engravers from Brussels, was known for his technical precision and his ability to translate complex compositions into the medium of print. The work exhibits the stylistic hallmarks of Northern Mannerism, including elongated figures and a deliberate, staged composition that guides the viewer through the narrative elements. The background features rolling hills and a modest dwelling, grounding the theological subject in a recognisable, albeit idealised, rural environment. The inclusion of animals, such as the goat and the lamb, adds a layer of symbolic weight, referencing the agricultural life that defines the family's existence outside the gates of Eden.

The print is part of a larger series exploring the early chapters of Genesis. The Latin inscription at the base provides context for the scene, linking the visual imagery directly to the text of the Vulgate. The application of colour, likely added by hand shortly after the printing process, softens the sharp lines of the engraving and provides a sense of atmosphere to the landscape. This piece offers a glimpse into the late sixteenth-century European preoccupation with biblical history and the human condition, rendered with the meticulous detail characteristic of the Sadeler workshop's output.