The Judgment of Paris - Luca Giordano
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A fine art print of "The Judgment of Paris" by Luca Giordano, depicting the classical mythological scene with a Baroque sensibility. This oil on canvas painting captures the drama and sensuality of the moment when Paris judges the fairest goddess.
Luca Giordano's "The Judgment of Paris" presents a classical mythological scene with a Baroque sensibility. The painting depicts the moment when Paris, a Trojan prince, is asked to judge which of the three goddesses, Hera, Athena, or Aphrodite, is the fairest. This event ultimately leads to the Trojan War. Giordano captures the drama and sensuality of the scene, with the figures arranged in a dynamic composition. Paris is shown seated on a rock, surrounded by his flock, while the three goddesses present themselves to him. Cupid hovers above, ready to strike with his arrow. The artist's use of light and shadow adds to the theatrical quality of the work. The composition is filled with classical figures and symbols. The goddesses are depicted in various states of undress, emphasising their beauty and allure. The inclusion of animals, such as sheep and dogs, adds a pastoral element to the scene. The background features a hazy, atmospheric representing the landscape where the judgment takes place. Giordano's skill in rendering the human form and his ability to convey emotion are evident in this painting, making it a fine example of Baroque art.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Judgment of Paris - Luca Giordano
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Luca Giordano
He was born in Naples in 1634 and trained under Jusepe de Ribera. Around 1652 he travelled to Rome, where he absorbed Pietro da Cortona's Baroque dynamism and studied the High Renaissance masters. His other nickname, Proteus, came from his ability to produce convincing pastiches in the style of almost any painter: Durer, Titian, Veronese. The skill was admired rather than criticised; versatility was a virtue in Baroque Naples.
In 1692, Charles II of Spain invited him to Madrid, where he spent ten years painting frescoes in the Escorial, the Royal Palace and other buildings. His Spanish work is among his best: the scale suited his ambition, and the court demanded the gold brush. He returned to Naples in 1702 after the king's death.
His late paintings, lighter and less rhetorical than his Roman-influenced middle period, anticipated the Rococo. Fragonard admired them a generation later. Giordano was generous with money, particularly to poorer artists, and spent large sums on acts of patronage and charity. His output was enormous, running to thousands of works across oil and fresco. He died in Naples in 1705, at seventy.
You May Also Like