In 'The Judgement of Paris', George Frederic Watts depicts the classical myth of Paris choosing the fairest goddess, rendered in soft tones and a classical style, reflecting Victorian interests in mythology and morality.

George Frederic Watts, a British painter and sculptor associated with the Symbolist movement, created 'The Judgement of Paris'. The painting depicts a scene from Greek mythology, where Paris, a Trojan prince, is tasked with selecting the fairest among the goddesses Hera, Athena, and Aphrodite. This event is a prelude to the Trojan War. Watts's interpretation focuses on the figures of the goddesses, rendered in a classical style with soft, muted tones. The composition is relatively simple, with the three goddesses dominating the foreground. Paris is not visible in this particular depiction. The background is indistinct, suggesting a classical or Arcadian setting. Watts often explored themes of mythology, allegory, and morality in his work, reflecting the Victorian interest in classical subjects and their symbolic potential. His style blends classical ideals with a Symbolist sensibility, emphasising mood and atmosphere over strict realism. The painting's subdued colour palette and idealized forms contribute to its contemplative and timeless quality.