The Hands of Dr. Moore - Diego Rivera
Archival giclée
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Description
Painted in 1940, Diego Rivera's "The Hands of Dr. Moore" depicts a pair of hands performing a surgical procedure on a tree-like form, symbolising the 'Tree of Life'. The painting invites contemplation on themes of health, mortality, and medical intervention.
Diego Rivera's "The Hands of Dr. Moore" is a striking oil on canvas created in 1940. The painting depicts a pair of hands, presumably those of Dr. Clarence Moore, performing what appears to be a surgical procedure on a tree-like form. The tree, with its exposed roots and cellular-like blossoms, symbolises the 'Tree of Life'. A sharp instrument held by one hand is poised to prune a section of the tree, while the other hand holds a cloth to staunch the flow of red liquid. This scene is set against a light, neutral background that accentuates the central action. Rivera's work often incorporated social and political commentary, and this piece is no exception. The act of pruning the 'Tree of Life' can be interpreted as a metaphor for medical intervention, healing, or perhaps even a more complex commentary on the relationship between life, death, and human intervention. The inscription at the bottom of the painting, as transcribed by OCR, further contextualises the work, identifying Dr. Moore and Rivera's role in portraying this symbolic act. The painting's composition and symbolism invite viewers to contemplate the themes of health, mortality, and the role of medicine in shaping human existence.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Hands of Dr. Moore - Diego Rivera
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Diego Rivera
He studied at the Academy of San Carlos in Mexico City and spent fourteen years in Europe (1907-1921), absorbing Cubism in Paris and working alongside Picasso, Modigliani, and Mondrian. He returned to Mexico and found his subject: the history, labour, and people of his country, painted in a style that combined Renaissance fresco technique with pre-Columbian imagery and Marxist ideology.
The Detroit Industry Murals at the Detroit Institute of Arts (1932-33) are twenty-seven panels depicting the Ford Motor Company's River Rouge plant. The workers are heroic. The machinery is beautiful. Henry Ford's son Edsel commissioned them. The business community wanted them destroyed. They survived.
He married Frida Kahlo in 1929. They divorced in 1939. They remarried in 1940. The relationship was mutually unfaithful, politically intense, and artistically productive for both of them. Rivera said Kahlo was the better painter. Whether he believed this or was performing generosity is an open question.
He accepted a commission from Nelson Rockefeller for a mural in Rockefeller Center in 1933 and included a portrait of Lenin. Rockefeller asked him to remove it. Rivera refused. The mural was destroyed. Rivera repainted it in Mexico City. He died in 1957, at seventy.
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