Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A traditional Kalighat painting depicting the goddess Ganga seated upon a makara, rendered with the characteristic fluid lines and bold style of nineteenth-century Calcutta.
This work originates from the Kalighat school of painting, a style that emerged in the nineteenth century in the vicinity of the Kalighat Kali Temple in Calcutta. These paintings were produced by itinerant artists known as patuas, who catered to the growing urban population and pilgrims visiting the city. The style is characterised by bold, sweeping brushstrokes, minimal backgrounds, and a focus on mythological or contemporary subjects.
The image depicts the Hindu goddess Ganga, the personification of the river Ganges. She is shown seated upon her traditional vehicle, the makara, a mythical creature often depicted with the features of a fish or crocodile. The goddess is rendered with four arms, holding a water vessel, which signifies her role as the source of life and purification. Her attire is simple yet regal, adorned with jewellery and a prominent halo that frames her head. The use of colour is restrained, relying on a palette of deep reds, ochres, and muted greys to define the figure against the plain paper background.
Kalighat paintings were typically created on mill-made paper using water-based pigments. The artists often employed a technique where the figures were outlined in black ink before being filled with colour. This approach allowed for rapid production, as these works were sold as inexpensive souvenirs to visitors. Despite their mass-produced nature, the works possess a distinct aesthetic quality, marked by fluid lines and a stylised approach to anatomy. This particular piece captures the essence of the genre, blending traditional religious iconography with the practical, direct methods of the Kalighat artisans. It remains a representative example of the visual culture of colonial-era Bengal, reflecting the intersection of religious devotion and the commercial realities of a changing urban environment.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
From £85
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
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