A detailed 16th-century engraving by Giorgio Ghisi depicting the mythological tragedy of Procris within a dense, atmospheric woodland setting.

Giorgio Ghisi, a master engraver from Mantua, produced this work during the height of the Italian Mannerist period. The composition draws from Ovid's Metamorphoses, depicting the tragic end of Procris, who was accidentally killed by her husband, Cephalus, during a hunt. Ghisi employs a dense, highly controlled hatching technique to define the figures and the surrounding woodland, creating a sense of atmospheric depth despite the crowded arrangement of mythological entities. The scene is populated by a variety of figures, including satyrs and nymphs, who react to the central tragedy. Ghisi demonstrates his technical skill through the varied textures of the rocky terrain, the foliage, and the human anatomy. The lighting is dramatic, with a celestial figure appearing in the upper centre, adding a layer of divine intervention to the earthly sorrow below. The engraving is characteristic of Ghisi's style, which often involved complex, multi-figure compositions that pushed the boundaries of the medium. His ability to translate the painterly qualities of his contemporaries into the precise language of the burin is evident here, as he balances the narrative tension with a decorative, almost theatrical, presentation of the myth. This print reflects the intellectual climate of the sixteenth-century Italian court, where classical literature and complex allegorical imagery were highly valued. The work is not merely a retelling of a story but a display of technical virtuosity, showing how the engraver could manipulate light and shadow to create a cohesive, albeit busy, visual space. The figures exhibit the elongated proportions and expressive poses typical of Mannerist art, contributing to the overall sense of artifice and drama that defines the period.