A 1882 watercolour portrait by Swedish artist Anders Zorn, painted in Cadiz. It depicts two young women with a large fan in a spontaneous, Impressionist style.

Anders Zorn painted The Cousins in January 1882 during a stay in Cadiz, Spain. This period was a significant stage in his early career. He travelled through Europe to study light and colour, eventually developing a reputation for his technical skill in watercolour. The painting depicts two young women in close proximity. One woman holds a large, striped fan that occupies the centre of the composition. The signature at the bottom right confirms the location and date of the work. Zorn used a limited palette of purples and greys alongside warm skin tones. The application of paint is fluid and spontaneous. He captured the texture of the lace collars and the sheen of the silk dresses using broad washes and precise dry-brush details. The background is loosely defined with gestural strokes of lavender and cream, which directs attention to the faces of the subjects. Their expressions are informal and candid, suggesting a private moment between relatives. The artist avoided stiff formal posing in favour of a more natural interaction. The work shows Zorn's ability to manipulate light on different surfaces. The white fabric of the dress in the foreground shows complex shadows and highlights created through layered transparent washes. This piece is an example of the artist's early mastery of the medium before he transitioned to oil painting later in the decade. It reflects the influence of Spanish culture on his work during his travels in the Mediterranean. The composition relies on the diagonal lines of the fan and the overlapping figures to create a sense of depth within a shallow space. Zorn's handling of the watercolour medium here is confident, using the white of the paper to represent the brightest points of light on the clothing and skin.