A 1913 coastal study by Maxime Maufra, capturing the bay of Concarneau through expressive charcoal lines and selective watercolour washes.

Maxime Maufra, a painter associated with the Pont-Aven School, produced this study of the Brittany coast in 1913. The work captures the maritime atmosphere of Concarneau, a town that attracted many artists during the late nineteenth and early twentieth centuries due to its rugged shoreline and traditional fishing culture. Maufra, who spent significant time in the region, often focused on the interplay between the sea and the land, using a technique that balances observational drawing with expressive colour application.

In this piece, the artist employs charcoal to establish the structural composition, defining the foreground tree and the distant town silhouette with quick, rhythmic marks. The application of watercolour is selective, providing tonal shifts rather than full coverage. The warm, neutral tone of the paper acts as a mid-tone, unifying the composition and allowing the touches of blue, green, and yellow to emerge with clarity. The foreground is dominated by a solitary tree, which frames the view of the bay. The middle ground contains the town, rendered with minimal detail, while the horizon line remains open, suggesting the vastness of the Atlantic.

Maufra’s approach here reflects a departure from the rigid academic standards of his time. He prioritises the immediate sensation of the coastal environment over precise topographical accuracy. The visible charcoal lines reveal the artist's process, showing how he mapped out the scene before adding colour. This work provides a glimpse into the working methods of a painter who sought to capture the character of the Breton coast through a synthesis of drawing and light. It is a study of atmosphere, where the economy of mark-making conveys the specific quality of light found in this part of France.