The Battle of La Hogue - Benjamin West
Archival giclée
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Description
A dramatic history painting by Benjamin West depicting the 1692 naval battle between Anglo-Dutch and French forces. This work features intense maritime combat and burning warships.
Benjamin West painted this large-scale history work in 1778. It depicts the naval engagement of May 1692 during the Nine Years' War. The scene captures the moment when Anglo-Dutch forces destroyed the French fleet off the coast of Normandy. West focuses on the chaotic hand-to-hand combat occurring in small boats in the foreground. The composition uses a dramatic diagonal arrangement. On the left, Vice-Admiral George Rooke directs the assault from a longboat. To the right, sailors engage in violent struggle. The background is dominated by the massive hulls of burning warships and thick plumes of dark smoke. West used a palette of earthy browns, greys, and ochres. These tones contrast with the white and red of the flags. This painting was commissioned by Richard Grosvenor, 1st Earl Grosvenor. It followed the success of West's earlier work, The Death of General Wolfe. Unlike traditional history paintings of the period, West included contemporary dress and realistic details of naval warfare. The work is a significant example of the Grand Style in British art. It emphasizes heroic action through a specific historical event. The original painting is held in the collection of the National Gallery of Art in Washington.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
The Battle of La Hogue - Benjamin West
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Benjamin West
He was born in Springfield, Pennsylvania, in 1738, a Quaker-raised boy from the colonies who became the second president of the Royal Academy in London, holding the post for twenty-eight years. He arrived in England in 1763 after studying in Italy and quickly gained the patronage of George III, serving as the king's historical painter from 1772 to 1801.
He trained a generation of American painters in London, including Gilbert Stuart, Charles Willson Peale, Samuel Morse and John Trumbull. Each returned to America and shaped the new nation's visual culture. West stayed in London and died there in 1820, at eighty-one.
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