A Renaissance masterpiece by Luca Signorelli depicting the Virgin Mary in ascension, flanked by Saint Michael and Saint Benedict.

Luca Signorelli, a master of the Tuscan Renaissance, produced this work during the early sixteenth century. The composition centres on the Virgin Mary, who is depicted in a state of ascension, surrounded by a mandorla of light and musical angels. Her posture is calm, contrasting with the dramatic action occurring below her. To the left, Saint Michael the Archangel stands in full armour, his foot pressing down upon a small, grotesque figure representing evil. He holds a long staff, which acts as a vertical anchor for the composition. To the right, Saint Benedict is portrayed in his traditional monastic habit, holding a book and a staff. His expression is one of quiet contemplation, providing a counterpoint to the martial presence of the Archangel. Signorelli is known for his focus on the human form and his ability to render anatomical detail with precision. The figures possess a sculptural quality, typical of his training in the tradition of Piero della Francesca. The colour palette is balanced, using muted tones for the saints and the Virgin, while the angels and the armour of Saint Michael introduce warmer hues. The painting demonstrates the artist's skill in managing complex theological narratives within a structured, balanced frame. The work reflects the period's interest in classical proportions and the integration of figures within a defined space. The interaction between the celestial realm above and the earthly figures below is handled with clarity, ensuring that each element remains distinct yet part of a unified whole.