A dynamic depiction of cavalrymen traversing the sun-drenched American plains, rendered with the characteristic painterly style of Frederic Remington.

Frederic Remington, a prolific chronicler of the American West, produced The Advance during a period when his technique shifted toward a more painterly, impressionistic handling of light and colour. The composition depicts a group of cavalrymen moving across a sun-drenched, arid terrain. Remington employs a high-key palette of yellows and ochres to represent the dry grasses of the plains, contrasting with the deep, saturated tones of the horses and the uniforms of the soldiers.

The work captures a sense of motion through the dynamic postures of the horses, which are rendered with anatomical precision. Remington, who spent significant time observing military life and frontier conditions, focuses on the physical exertion of the animals and the focused demeanour of the riders. The dust kicked up by the horses creates a soft, atmospheric effect that blurs the transition between the foreground and the distant, pale horizon. Unlike his earlier, more linear illustrations, this painting relies on visible brushwork to convey the heat and intensity of the environment.

Remington’s ability to depict the interaction between man and horse remains a defining characteristic of his output. In this scene, the soldiers appear as figures integrated into the vastness of the territory. The painting avoids overly dramatic narrative tropes, opting instead for a direct observation of a routine military manoeuvre. The light source is consistent, casting short shadows that suggest a high sun, typical of the midday heat in the American West. This piece reflects the artist's mature style, where his earlier focus on narrative detail gives way to a greater interest in the effects of natural light on the open plains.