Paolo Uccello's *The Adoration of the Magi*, painted c. 1431-1432, blends International Gothic elegance with early Renaissance perspective. The tempera on panel work depicts the biblical scene with detailed costumes and muted colours.

Paolo Uccello's *The Adoration of the Magi* is an early Renaissance painting, dating from around 1431-1432. Uccello, born Paolo di Dono, was an Italian painter known for his pioneering work on visual perspective in art. He was deeply influenced by the International Gothic style, which is evident in the painting's decorative elements and elegant figures. The painting depicts the biblical scene of the Three Wise Men (Magi) visiting the infant Jesus. The composition is characterised by its attention to detail, particularly in the costumes and the horses. The figures are rendered with a certain formality, typical of the early Renaissance, and the use of tempera on panel gives the painting a distinctive texture and colour palette. The colours are muted, with a focus on reds, blues, and golds, which contribute to the overall sense of solemnity and reverence. Uccello's interest in perspective is apparent, though not as fully developed as in his later works. The arrangement of the figures and the setting suggest a movement towards a more realistic depiction of space, a hallmark of Renaissance art. The painting is an example of the transition from the late medieval style to the early Renaissance, blending decorative elements with a growing interest in naturalism and perspective.