A refined Neoclassical engraving from 1796 depicting Thalia, the Greek Muse of comedy, holding her traditional mask and shepherd's crook.

This engraving by Alexander Liernur, dated 1796, depicts Thalia, the Greek Muse of comedy and idyllic poetry. The composition adheres to the aesthetic principles of Neoclassicism, which sought to revive the clarity and restraint of antiquity. Thalia is presented in a full-length, standing pose, draped in traditional classical robes that fall in controlled, rhythmic folds. She holds a shepherd's crook in her right hand and a theatrical mask in her left, the latter being her primary attribute. The figure is contained within an oval frame, a common device in late eighteenth-century printmaking to focus the viewer's attention on the subject. Liernur employs a stipple-like shading technique to model the form of the figure, creating a soft, sculptural quality that mimics the appearance of marble statuary. The background is kept neutral, ensuring that the silhouette of the Muse remains the primary focus of the work. Below the figure, the title 'THALIA' is inscribed in clear, serif lettering, followed by the descriptor 'Muse de la Comedie'. The artist's signature and the date are visible at the base of the print. This work reflects the period's fascination with classical iconography and the systematic documentation of mythological figures. The print demonstrates a high degree of technical precision, characteristic of the reproductive engraving practices of the late eighteenth century. It serves as a clear example of how mythological subjects were translated into accessible, academic imagery for a contemporary audience. The balance between the figure and the surrounding space creates a sense of order and calm, consistent with the broader artistic values of the era.