Study of Arm and Feet for 'The Mirror of Venus' - Edward Burne-Jones
Archival giclée
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Description
A delicate pencil study by Sir Edward Burne-Jones, c. 1873, showcasing his meticulous preparation for 'The Mirror of Venus'. This fine art print captures the artist's skill in rendering the human form with sensitivity and precision, adding a touch of Pre-Raphaelite elegance to any interior.
This delicate pencil study by Sir Edward Burne-Jones offers a glimpse into the artist's meticulous preparatory process for his celebrated painting, 'The Mirror of Venus' (1873-1877). Executed around 1873, this drawing focuses on the anatomical details of an arm and a pair of feet, capturing the subtle nuances of form and light. Burne-Jones, a key figure in the Aesthetic Movement, was deeply inspired by classical mythology and the Italian Renaissance, and this study reflects his commitment to idealised beauty and precise draughtsmanship. The drawing showcases Burne-Jones's skill in rendering the human form with sensitivity and precision. The soft gradations of tone and the delicate lines create a sense of ethereal beauty, characteristic of his artistic style. As a fine art print, this study offers a unique opportunity to own a piece of art history, bringing a touch of Pre-Raphaelite elegance to any interior. Its understated aesthetic makes it a versatile addition to various decor styles, from classic to contemporary, adding a touch of artistic sophistication to a living room, study, or hallway.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Study of Arm and Feet for 'The Mirror of Venus' - Edward Burne-Jones
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Edward Burne-Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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