A 1916 woodcut by Carel Adolph Lion Cachet featuring the steamship Jan Pieterszoon Coen, combining industrial geometry with clean, modernist typography.

This woodcut by Carel Adolph Lion Cachet represents the intersection of early twentieth-century industrial design and the graphic arts. Created in 1916, the work functions as a promotional or informational graphic for the Stoomvaart Maatschappij Nederland, a major Dutch shipping line. The composition is divided into two distinct sections: a stylised depiction of the steamship Jan Pieterszoon Coen on the left and a block of typography on the right. Lion Cachet, a significant figure in the Dutch decorative arts, employs a reductive approach here. The ship is rendered through simplified, bold lines that emphasise the mechanical geometry of the vessel, including its funnels and deck structures. The artist avoids unnecessary detail, focusing instead on the silhouette and the structural rhythm of the ship against the horizon. The right side of the print features clean, sans-serif lettering that provides the name of the vessel and the shipping company, reflecting the period's interest in integrating text and image into a cohesive visual unit. The print exhibits the influence of the Arts and Crafts movement, which Lion Cachet helped introduce to the Netherlands. His work often sought to elevate the quality of everyday design, and this piece is no exception. The woodcut technique provides a tactile quality, with the ink showing slight variations in density that contrast with the plain paper background. This work is a clear example of how commercial art during this era utilised traditional printmaking methods to communicate modern industrial progress. It remains a precise document of Dutch maritime history and the aesthetic sensibilities of the early 1900s.