A minimalist woodcut by Dutch artist Julie de Graag, featuring a simple still life of a ceramic jug and an ashtray rendered with precise, rhythmic lines.

Julie de Graag was a Dutch artist known for her precise, graphic approach to printmaking. This woodcut, titled Stilleven met kan en asbak, demonstrates her ability to reduce everyday objects to their essential forms. The composition is stark and deliberate, focusing on the tactile qualities of the ceramic jug and the accompanying ashtray. De Graag employs a disciplined system of parallel lines to define the volume and curvature of the vessels, creating a sense of weight and presence without the need for complex shading or colour. Her work is often associated with the Dutch Symbolist movement, though her subject matter frequently turned toward the domestic and the mundane. By isolating these objects against a neutral background, she invites the viewer to observe the geometry of the forms. The lines are clean and controlled, reflecting the technical rigour required by the woodcut medium. The artist's signature mark is visible in the upper left corner, a common feature in her graphic output. This print captures a quiet moment of observation. The lack of decorative clutter allows the viewer to focus on the interplay between the rounded, organic shape of the jug and the lower, more angular form of the ashtray. It is a study in balance and economy of line. De Graag's work remains a clear example of early twentieth-century Dutch graphic art, where the focus shifted toward the structural integrity of the subject. This piece is suitable for those who appreciate minimalist aesthetics and the historical craft of the woodcut.