A 1922 oil painting by Vanessa Bell, capturing a domestic still life set against an urban window view.

Vanessa Bell, a central figure of the Bloomsbury Group, produced this work in 1922. The composition features a large, lidded urn positioned on a surface, accompanied by a smaller vase containing flowers. The objects sit before a window, which provides a view of rooftops and chimneys. The treatment of the scene reflects the artist's interest in post-impressionist form and colour, prioritising structural clarity over strict realism. The palette consists of muted ochres, soft blues, and earthy tones. Bell uses broad, deliberate brushwork to define the volumes of the urn and the surrounding architecture. The curtain on the left, decorated with a floral pattern, adds a decorative element that balances the geometric shapes of the buildings outside. The light source appears to come from the window, casting soft shadows across the objects and the table surface. Bell often explored the relationship between domestic interiors and the external world. By placing the still life against the backdrop of an urban view, she creates a dialogue between the private space of the home and the public space of the city. The work demonstrates her ability to simplify complex visual information into a series of planes and shapes. This approach was characteristic of her practice during the 1920s, as she continued to refine her personal style within the context of British modernism. The painting remains a clear example of her focus on the arrangement of objects and the interplay of light within a confined, intimate setting.