Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed seventeenth-century Flemish engraving depicting the death of Saint Ignatius of Loyola, featuring multiple narrative scenes and Latin inscriptions.
This engraving depicts the final moments of Saint Ignatius of Loyola, the founder of the Jesuit order. The composition is divided into distinct narrative zones, a common technique in early seventeenth-century Flemish printmaking. The central scene shows the saint on his deathbed, clutching a crucifix while a beam of light, inscribed with the name 'IESVS', emanates from his mouth towards a celestial vision of angels. Surrounding the bed, a group of clerics observe the scene in prayer, their figures rendered with precise hatching to define the folds of their vestments.
To the right, a secondary scene shows a papal audience, providing context to the saint's spiritual authority. Above the bed, an inset panel illustrates a simultaneous event, showing a vision of the saint appearing to a woman in Bologna. This use of multiple registers allows the artist to convey complex hagiographic information within a single frame. The work is attributed to the Galle family workshop, a prolific centre for print production in Antwerp during the Counter-Reformation. The engraving style is characteristic of the period, utilising controlled line work to create volume and depth, while the inclusion of Latin captions at the base provides a clear didactic purpose for the viewer.
As a piece of religious iconography, the print serves to document the life and miraculous death of Ignatius. The technical execution reflects the high standards of the Antwerp school, where engravers often collaborated with painters to disseminate religious imagery across Europe. The clarity of the lines and the balanced arrangement of the figures demonstrate the technical rigour applied to devotional prints of this era. This print remains a clear example of how narrative art was utilised to communicate theological concepts to a wider audience during the seventeenth century.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
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