A striking 1922 modernist work by Francis Picabia, featuring stark silhouettes and target motifs rendered in a flat, graphic style.

Spanish Night, or La Nuit Espagnole, is a work from 1922 by the French artist Francis Picabia. This piece belongs to his period of experimentation with Ripolin, a commercial industrial enamel paint that allowed for a smooth, flat finish. The composition is divided vertically into two distinct halves, using a stark contrast between black and white to separate the figures. On the left, a dark silhouette of a man stands against a white background. On the right, a white silhouette of a woman stands against a black background. The woman is marked with two circular targets, positioned on her chest and abdomen. These targets introduce a jarring, mechanical element to the human form. The work reflects the artist's engagement with the Dada movement, which often rejected traditional aesthetic values in favour of irony, absurdity, and the subversion of conventional imagery. Picabia frequently utilised such graphic, simplified forms to challenge the viewer's perception of art. By using industrial materials and imagery reminiscent of shooting range targets, he distanced the work from the expressive brushwork typical of traditional painting. The title itself, while referencing a specific cultural theme, is presented with a sense of detachment. The figures appear as ciphers rather than portraits, existing within a space that denies depth or narrative context. This print captures the precise, clean lines of the original enamel application, preserving the stark graphic quality that defines Picabia's approach during this phase of his career. It remains a clear example of the artist's move away from his earlier abstract works toward a more provocative, object-oriented style.