A detailed 1844 oil painting by Edwin Henry Landseer depicting a farrier at work in a forge, accompanied by a mare, a donkey, and a bloodhound.

Shoeing, painted in 1844, captures a quiet moment within a blacksmith's forge. The composition centres on a bay mare, which stands patiently while a farrier attends to its hoof. To the left, a donkey watches the process, while a bloodhound rests on the floor in the foreground. The scene is illuminated by natural light streaming through an open doorway, which contrasts with the shadowed interior of the workshop.

Landseer was widely recognised for his ability to render animal anatomy and temperament. In this work, he employs a realistic approach to texture, from the sheen of the horse's coat to the rough surfaces of the forge. The inclusion of the donkey and the dog adds a narrative quality common to his work, suggesting a domestic or rural setting that was popular with Victorian audiences. The painting demonstrates his technical skill in managing light and shadow, particularly in the way the sunlight defines the forms of the animals against the darker background.

This piece is part of the collection at the Tate in London. It reflects the mid-nineteenth-century interest in rural life and the close relationship between humans and animals. Landseer avoids overly sentimental depictions here, focusing instead on the physical reality of the task at hand. The composition is balanced, with the animals arranged to guide the viewer's eye through the space. The muted colour palette, dominated by earthy browns and warm tones, reinforces the grounded, everyday nature of the subject matter. The work remains a clear example of the artist's focus on animal subjects, which defined his career and his position within the British art world of the period.