Fine Art Poster
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A refined self-portrait by the Venetian Renaissance artist Marietta Robusti, capturing the sitter in a classic three-quarter pose with period attire.
Marietta Robusti, also known as La Tintoretta, was the daughter of the Venetian master Jacopo Tintoretto. Trained in her father's workshop, she developed a distinct approach to portraiture that balanced the technical rigour of the Venetian school with a personal, observational quality. This self-portrait captures the artist in a three-quarter view, a common compositional choice for sixteenth-century portraiture that allows for a clear depiction of both the sitter's features and their attire.
The subject wears a dark, high-necked gown adorned with delicate lace at the collar and cuffs. Her hair is styled in a braided crown, reflecting the fashion of the period. She holds a small object in her hand, a detail that adds a sense of quiet activity to the composition. The lighting is focused on her face and the white lace, creating a contrast against the dark, neutral background. This use of chiaroscuro is characteristic of the Venetian tradition, where light is employed to model form and direct the viewer's attention.
Robusti's work is often discussed in the context of women artists in the Renaissance, who frequently navigated the constraints of family-run workshops. Her ability to capture likenesses with such clarity earned her a reputation among contemporary patrons, including international figures like Emperor Maximilian II and King Philip II of Spain. This portrait provides a glimpse into the professional identity of a woman working within the competitive environment of sixteenth-century Venice. The brushwork is precise, particularly in the rendering of the lace and the subtle highlights on the fabric. The overall composition is restrained, focusing on the presence of the sitter rather than elaborate decorative elements. This print offers an opportunity to examine the technical skill and stylistic choices of an artist whose career was cut short by her early death.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £28
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £45
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
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