A striking 1927 self-portrait by Max Beckmann, depicting the artist in formal attire with a cigarette, rendered in the sharp, objective style of the era.

Max Beckmann painted Self-Portrait in Tuxedo in 1927, a period when he was established as a leading figure in the New Objectivity movement. This work presents the artist in a formal dinner jacket, standing with a cigarette held between his fingers. The composition is stark and direct, avoiding the emotional turbulence often associated with earlier Expressionist works. Beckmann employs a palette dominated by deep blacks and stark whites, which creates a high-contrast effect that defines the figure against the neutral background. The artist gazes directly at the viewer with an expression of detached observation. His posture, with one hand resting on his hip and the other holding a cigarette, suggests a sense of worldly confidence. The brushwork is deliberate and firm, focusing on the structural integrity of the form rather than atmospheric effects. By choosing formal attire, Beckmann positions himself as a man of the world, a persona he frequently adopted during his years in Frankfurt. The painting avoids sentimentality, opting instead for a cool, analytical approach to self-representation. This portrait is characteristic of the artist's mature style, where he utilised heavy outlines and solid blocks of colour to construct his subjects. The lighting is theatrical, casting shadows across his face that add a sense of weight and presence. Beckmann often used self-portraiture as a means to explore his identity within the social and political climate of the Weimar Republic. This piece remains a clear example of his ability to capture the psychological tension of the era through a disciplined, representational lens. It is a study in composure, reflecting the artist's own rigorous approach to his craft and his place within the modern urban environment.