A detailed 17th-century engraving by Lucas Vorsterman I depicting the biblical scene of Saint Peter retrieving a coin from a fish.

This engraving by Lucas Vorsterman I depicts the biblical narrative from the Gospel of Matthew, where Saint Peter retrieves a stater from the mouth of a fish to pay the temple tax. Vorsterman, a skilled printmaker who collaborated closely with Peter Paul Rubens, demonstrates a mastery of line and shadow in this work. The composition focuses on the central figure of Peter, who is shown in a moment of discovery, surrounded by other disciples who observe the event with varying expressions of curiosity and contemplation.

The figures are rendered with a sense of physical weight, their garments defined by deep, rhythmic folds that suggest movement and volume. Vorsterman employs a sophisticated system of hatching and cross-hatching to model the musculature and the textures of the fabric, creating a clear distinction between light and shadow. This technique provides the scene with a sculptural quality, typical of the Flemish Baroque tradition. The background remains relatively sparse, ensuring that the viewer's attention stays fixed on the interaction between the figures.

As an engraver, Vorsterman was known for his ability to translate the painterly qualities of his contemporaries into the precise medium of the copper plate. This print reflects the technical rigour of the period, where the clarity of the narrative was balanced with an interest in anatomical accuracy and dramatic staging. The work provides an example of how biblical themes were interpreted through the lens of seventeenth-century European printmaking, where the focus on human emotion and physical presence was paramount. The print is a study in composition and technical execution, capturing a specific moment of theological significance through the disciplined application of the burin.