Saint Francis of Assisi and the Blood of Christ - Carlo Crivelli
Archival giclée
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Description
A detailed religious work by Carlo Crivelli, depicting Saint Francis of Assisi in a moment of devotion before the crucified Christ.
Carlo Crivelli, a Venetian painter active in the Marche region of Italy, is known for his highly decorative style and precise, linear technique. This work depicts Saint Francis of Assisi kneeling in devotion, catching the blood flowing from the side wound of Christ. The composition is typical of Crivelli, who often combined religious subjects with elaborate, patterned backgrounds and architectural elements. The figure of Christ stands before a large, ornate textile hanging, which provides a stark contrast to the more naturalistic rendering of the figures. Crivelli employs a sharp, clear line quality, which defines the musculature of Christ and the folds of the Franciscan habit with great clarity. The inclusion of the chalice, held by the saint, serves as a liturgical symbol of the Eucharist. To the left, a classical column and a distant, sparse landscape are visible, demonstrating the artist's interest in perspective and spatial construction, even within a highly stylised framework. Crivelli's work is distinct from his contemporaries in Venice, as he maintained a preference for tempera and gold leaf long after oil painting became the standard. This choice allowed him to achieve a hard, enamel-like surface finish. The attention to detail, from the instruments of the Passion hanging on the cross to the specific textures of the fabric, reflects the artist's meticulous approach to his craft. This piece is a characteristic example of his ability to merge devotional intensity with a sophisticated, almost ornamental, aesthetic sensibility.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Saint Francis of Assisi and the Blood of Christ - Carlo Crivelli
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Carlo Crivelli
He had left Venice by 1458, possibly following a conviction for adultery in 1457 that may have made continued residence uncomfortable. The Marche towns, Ascoli Piceno above all, became his territory. He painted nothing but religious subjects: polyptychs, Madonnas, altarpieces designed for specific church niches where the gold-ground backgrounds and the theatrical use of festoons, fruit, and cucumbers would catch the light at specific hours.
The 1486 Annunciation with Saint Emidius, now in the National Gallery in London, is the work that most condenses his method. The architectural setting is precise and Flemish in its love of depth and surface texture; the figures are described with a wiry, almost metallic clarity that owes something to engraving. On the panel he signed it "Opus Caroli Crivelli Veneti Militis", he had been knighted by the Prince of Capua that same year.
His style was conservative by the standards of the 1480s, when Bellini was moving towards atmospheric sfumato and Venetian colour. Crivelli's answer was greater elaboration, not revision.
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