A masterful etching by the Italian Mannerist Parmigianino, depicting the Resurrection of Christ with fluid lines and characteristic elongated proportions.

This etching by Parmigianino, a central figure of the Italian Mannerist movement, captures the Resurrection of Christ with the characteristic elongation and fluid grace associated with his work. The composition is dynamic, featuring a central, hovering figure of Christ who rises above the tomb, his drapery caught in a swirling motion that suggests both weightlessness and divine energy. Below, the Roman soldiers are depicted in various states of surprise and disarray, their forms rendered with expressive, calligraphic line work that defines the musculature and armour.

Parmigianino was one of the first Italian artists to experiment with etching as a medium for original artistic expression rather than merely for reproducing paintings. His technique here relies on a series of fine, hatching lines that build form and shadow, creating a sense of atmospheric light radiating from the risen Christ. The figures exhibit the elongated proportions and sophisticated, serpentine poses that define the Mannerist aesthetic, moving away from the balanced harmony of the High Renaissance toward a more subjective and stylised interpretation of the human form.

The print demonstrates the artist's ability to manipulate the copper plate to achieve a range of tonal values, from the deep shadows surrounding the soldiers to the bright, open space occupied by the ascending Christ. The interaction between the foreground figures and the central event creates a sense of depth, while the overall composition remains focused on the spiritual tension of the moment. This work provides insight into the technical innovation of the sixteenth century, showing how printmaking allowed artists to disseminate their stylistic vision to a wider audience beyond the confines of private commissions.