A raw, expressive lithograph by Oskar Kokoschka depicting the Holy Family in a moment of weary respite during their flight to Egypt.

This lithograph by Oskar Kokoschka, titled Rest on the Flight to Egypt, appeared in the periodical Der Bildermann on 20 December 1916. The work captures a quiet, humanised moment within a traditional biblical narrative. Kokoschka employs a raw, gestural line quality that is characteristic of his contribution to the Austrian Expressionist movement. Rather than focusing on the divine or miraculous aspects of the journey, the artist depicts the Holy Family as weary travellers seeking respite. The composition is dense, with the figures of Mary, Joseph, and the infant Jesus huddled together against a backdrop of agitated, scribbled marks. These marks suggest the surrounding foliage or the darkness of the night, creating a sense of enclosure and intimacy. Mary is shown with her head resting on her hand, her expression one of exhaustion, while Joseph sits beside her, his gaze directed towards the viewer or perhaps into the distance. The presence of the donkey, positioned to the left, anchors the scene in the reality of their arduous travel. Kokoschka’s technique here relies on the immediacy of the lithographic crayon. The lines are not polished or refined: they are urgent, conveying the psychological weight of the subjects. This approach strips away the idealised iconography often associated with religious art, replacing it with a focus on the physical and emotional toll of the flight. The work reflects the broader anxieties of the period, as the artist produced this image while recovering from severe injuries sustained during the First World War. It is a study in human vulnerability, rendered with the stark, unvarnished honesty that defines Kokoschka’s graphic output during his middle years.