A 1902 oil painting by Swedish artist Anders Zorn, depicting a nude figure moving through sunlit foliage on a sandy bank.

Anders Zorn painted Red Sand in 1902. The work depicts a nude woman navigating a steep, sandy bank partially obscured by dense foliage. Zorn uses a warm colour palette dominated by earthy reds and ochres alongside deep greens to depict the sunlit Swedish environment. The composition places the viewer at a low angle, looking up toward the figure as she moves through the brush. The brushwork is characteristic of Zorn's mature style. He employs broad, confident strokes that prioritise the movement of light over precise anatomical detail. Sunlight filters through the leaves, creating dappled patterns across the subject's skin and the ground. This technique allows the figure to appear integrated with her surroundings. The red sand of the title provides a strong tonal base for the lower half of the canvas, contrasting with the shadows found within the thicket. The artist captures the specific texture of the dry earth and the varied greens of the summer growth. Zorn was known for using a limited palette, often restricting his colours to a few essential pigments: yellow ochre, cadmium red, ivory black, and lead white. In this work, he achieves a wide range of tones through careful mixing and layering. The texture of the paint is visible, particularly in the rendering of the leaves and the rough surface of the earth. This approach reflects his background in watercolour, where he first developed his skill for capturing atmospheric effects. Red Sand is an example of Zorn's ability to combine the traditions of academic figure painting with the spontaneous observation of the Impressionist movement. The painting is currently part of the collection at the Zorn Museum in Mora, Sweden.