A Neoclassical depiction of the Renaissance master Raphael with his muse, La Fornarina, in a composed studio setting.

Jean-Auguste-Dominique Ingres painted this work during his residency in Rome. It depicts the High Renaissance master Raphael Sanzio seated before an easel, with his muse and mistress, Margherita Luti, known as La Fornarina, positioned on his lap. The composition is structured around the intimate connection between the artist and his subject, set within a studio environment that suggests the creative process of the sixteenth century. Ingres employs a precise, controlled technique that characterises his Neoclassical training. The figures are rendered with smooth surfaces and clear contours, reflecting his preference for line over colour. Raphael is shown in a black cap and dark cloak, his gaze directed toward the canvas, while the Fornarina looks directly at the viewer. Her attire, featuring a dark green velvet dress and a gold-toned headpiece, provides a contrast to the more sombre tones of the artist's clothing. The background includes a glimpse of a Roman cityscape through an open window, a detail that anchors the scene in the historical context of the Italian Renaissance. This painting is one of several versions Ingres produced of the same subject, demonstrating his interest in the lives of historical artists. The work avoids the dramatic flair of the later Romantic movement, opting instead for a balanced, staged quality. The interior space is defined by the geometric lines of the floor and the placement of the furniture, creating a sense of order. By choosing this specific narrative, Ingres engages with the mythos surrounding Raphael, presenting the artist not merely as a creator, but as a man deeply involved with his subject matter. The painting remains a clear example of the nineteenth-century fascination with the lives of the Old Masters, executed with the technical rigour for which Ingres is known.